Wednesday, April 15, 2015

Assignment 18

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Before-          Currently many people on YouTube have experienced theft of an idea from work they uploaded online, but there isn't much we can currently do to prove it was stolen. The United States Code Service, consolidation and codification by subject matter of the general and permanent laws in the United States, suggest that you register your work within three months of uploading it onto the internet [1], which may be nice for directors who have a big project they want to protect, but isn't beneficial for many YouTubers who upload each week and are trying to stay relevant. Ashlee Knuckey is an associate in Lock Lord's (an American law firm) Business Litigation and Arbitration practice group and represents client in state and federal court. Knuckey has focused her practices on complex litigation and arbitration and also handles matters that involve fraudulent business practices, state taxation issues, breach of commercial contracts, loss sensitive insurance programs, regulatory and government enforcement issues, and Medicare reimbursement issues. In the article YouTube--The Next Generation of Infringing on Creative Works: What Can Be Done to Protect the Screenwriters? Knuckey talks about the copyright policies and how registering a video/idea within the three months before uploading it will make that person eligible to sue for any sort of damages, but  "even if they register their work within the three-month period, they would not be eligible to recover damages for any infringement taking place prior to the copyright registration." [2]. Meaning that even if someone was to register one of their works that was stolen in the past, they would be protected, but couldn't do anything about that incident since it was before the registration. And the United States Code Services on Title 17, Copyrights Chapter 4 on Copyright Notice, Deposit, and Registration it talks about  the fact that with registering content, there is a registration fee and yearly renewal that shall also cost money. And Knuckey says even if content is registered, " Direct proof of copying is often impossible for the plaintiff to show; thus, copying must often be inferred from proof that the defendant had access to the plaintiff's work, as well as that there are "substantial similarities" between the two works."

After-              Currently many people on YouTube have experienced theft of an idea from work they uploaded online, but there isn't much we can currently do to prove it was stolen. The United States Code Service, consolidation and codification by subject matter of the general and permanent laws in the United States, suggest that you register your work within three months of uploading it onto the internet [1], but this isn't beneficial for majority of Youtubers who upload on a weekly base. This would only be beneficial for big video projects. Ashlee Knuckey who is an associate in Lock Lord's (an American law firm) Business Litigation and Arbitration practice group and represents client in state and federal court talks about the copyright policies in YouTube--The Next Generation of Infringing on Creative Works: What Can Be Done to Protect the Screenwriters?. She writes about how registering a video/idea within the three months before uploading it will make that person eligible to sue for any sort of damages, but "even if they register their work within the three-month period, they would not be eligible to recover damages for any infringement taking place prior to the copyright registration." [2]. Meaning once someone was to register their work, it would be protected but past incidents with it being copied would not be accounted for. But Knuckey says even if content is registered, " Direct proof of copying is often impossible for the plaintiff to show; thus, copying must often be inferred from proof that the defendant had access to the plaintiff's work, as well as that there are "substantial similarities" between the two works."



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Before-            With everything humans have created so far and everything being a recreation of something else, how can we tell when someone is stealing something? The rights that come with being a copyright owner tells you all about what you can legally do with your product and what others can not do with it, but no where does it say how to determine whether or not someone is taking your idea/creation. With the Blurred Lines vs. Marvin Gaye trial, a court had to decide whether or not Blurred Lines was just a recreation of Gaye's song Got to Give it Up. And even after the trial said it was, many people disagree saying they are two different songs. This situation does not only happen with songs, in 2014 Disney and Deadmau5 had a similar situation. Joel Zimmerman a.k.a Deadmau5 was filing for his trademark in the United States of his well known Deadmau5 symbol. A trademark is made to protect words, phrases, symbols, or designs identifying  the source of the goods or services of one party and distinguishing them from others. Copyright only protects original works of authorship. The problem was Disney was preventing him from doing so, their argument being that it was too similar to the Mickey Mouse icon (similar to Blurred Lines vs. Marvin Gaye). Yes the two are both mouse icons, but the two are both greatly different from one another. Just because it is a mouse, doesn't mean that it is a copy of Mickey Mouse. This theory following many situations in the copyright infringement world, just because two things have similar qualities does not always mean one thing is copying another. Many copyright owners must understand that before filing against someone for copyright infringement, if it is a grey area situation (blurred lines vs. Marvin Gaye), that everything is inspired from something else. Even their creation was inspired from something else and for new ideas and creations to exist, old ones can not hold a grasp on advancement.


After-              The rights that come with being a copyright owner tells you all about what you can legally do with your product and what others can not do with it, but no where does it say how to determine whether or not someone is taking your idea/creation. So who really is to judge when someone's creation is not "original". With the Blurred Lines vs. Marvin Gaye trial, a court had to decide whether or not Blurred Lines was just a recreation of Gaye's song Got to Give it Up. And even after the trial ruled in the favor of Gaye, many people disagree saying they are two different songs. This situation does not only happen with copyrights, in 2014 Disney and Deadmau5 had a similar situation. Joel Zimmerman a.k.a Deadmau5 was filing for his trademark (A trademark is made to protect words, phrases, symbols, or designs identifying  the source of the goods or services of one party and distinguishing them from others. Copyright only protects original works of authorship.) in the United States of his well known Deadmau5 symbol. The problem was Disney was preventing him from doing so, their argument being that it was too similar to the Mickey Mouse icon. Ziad Ramley, an associate editor for VICE news, writes on the topic saying, "The reason why Zimmerman wants to trademark his logo is not because he wants to profit off his resemblance to Mickey Mouse. It's because he wants to prevent other mau5 head-toting people from profiting off their resemblance to him."  [11]. Yes the two are both mouse icons, but the two are both greatly different from one another. Just because it is a mouse, doesn't mean that it is a copy of Mickey Mouse. Just because two things have similar qualities does not always mean one thing is copying another. Many copyright owners must understand that before filing against someone for copyright infringement that everything is inspired from something else. Even their creation was inspired from something else and for new ideas and creations to exist, old ones can not hold a grasp on advancement.



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Before-         Each of these rights helps the owner make sure they have full custody over their product, and if any of these rights are broken by an outside person without the copyright owners consent than it then can file for copyright infringement. And that's what it all comes down to when it comes to copyright infringement, if there isn't consent then it is copyright infringement. But how can we tell when someone is breaking someone else copyright rights? Not all cases that involve copyright infringement are black and white, majority of these cases fall in the grey area where it is unsure if someone is taking from someone else's idea.

After-              Each of these rights helps the owner make sure they have full custody over their product, and if any of these rights are broken by an outside person without the copyright owners consent than it then can file for copyright infringement. And that's what it all comes down to when it comes to copyright infringement, if there isn't consent then it is copyright infringement. But how can we tell when someone is breaking someone else copyright rights? On Standford University Libraries in Copyright and Fair Use it says how there are four factors a judge takes in when judging a copyright infringement, "the purpose and character of your use, the nature and copyrighted work, the amount and substantiality of the portion taken, and the effect of the use upon the potential market." [12].  
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Before-            Now a days nothing is original. With the amount of people that have been on this Earth and the amount of ideas and works that have been created, everything is inspired from something else, works now are a imitation of something before that we adjust to make our own. But how can we tell the difference between something that is inspired from something else compared to something that is appropriated. One thing to look at is Marvin Gaye vs. blurred lines case. A case where Robin Thicke and Pharrell Williams were accused of copyright infringement towards Marvin Gaye's song "Got to Give it Up" because their hit single "Blurred Lines" sounded too much like Gaye's song. When listening to the two songs, the melodies are somewhat similar but the two songs differ greatly. Williams and Thicke ended up having to pay $7.4 million to Gaye's family. I personally feel that the two songs differ substantially, but this raises many questions with copyright infringement. Music inspires more music, authors inspire more authors, movies inspire more movies, and youtubers inspire more youtubers. So when does inspiration and an homage to a certain work cross the line of copyright infringement? What makes a certain work cross the line of having copy written work? And with this trial will this open the door to more lawsuits that aren't valid towards big hits, but will just end up being paid away. Then there is Michelle Phan, a makeup tutorial youtuber with over 7.5 million subscribers, who was sued for copyright infringement back in 2014 for using popular EDM songs by artist such as Deadmau5, Kaskade, and Calvin Harris in her tutorial videos without permission. But the problem isn't that Michelle Phan was using these EDM artist's songs, the problem is that many people who make YouTube videos use music all the time in videos without permission from artist or record label and it goes unnoticed. The only time it becomes noticed is when money and fame is involved. This goes for majority of all copyright infringement suits, people only seem to get involved when someone else is gaining money and/or fame for something that is "not theirs".

After-       Now a days nothing is original. With the amount of people that have been on this Earth and the amount of ideas and works that have been created, everything is inspired from something else, works now are a imitation of something before that we adjust to make our own. But how can we tell the difference between something that is inspired from something else compared to something that is appropriated. One thing to look at is Marvin Gaye vs. blurred lines case. A case where Robin Thicke and Pharrell Williams were accused of copyright infringement towards Marvin Gaye's song "Got to Give it Up" because their hit single "Blurred Lines" sounded too much like Gaye's song. When listening to the two songs, the melodies are somewhat similar but the two songs differ greatly. Williams and Thicke ended up having to pay $7.4 million to Gaye's family. Many people argue that the two songs differ greatly and that Gaye's family should not have won. Then there is Michelle Phan, a makeup tutorial youtuber with over 7.5 million subscribers, who was sued for copyright infringement back in 2014 for using popular EDM songs by artist such as Deadmau5, Kaskade, and Calvin Harris in her tutorial videos without permission. But the problem isn't that Michelle Phan was using these EDM artist's songs, the problem is that many people who make YouTube videos use music all the time in videos without permission from artist or record label and it goes unnoticed. Dylan Ruga who is a litigates partner who focuses on property infringement claims in courts all over the country that involve technology, music, photographs, furniture, and fabric designs wrote an essay called The Role Of Laches In Closing The Door On Copyright Infringement Claims. In it he brings up the idea of "what if the copyright owner, aware of the infringement, remains silent and waits to see how successful the infringer's work is before bringing his claim? Should the equitable doctrine of laches preclude such a claim in order to protect a prejudiced defendant, even if ultimately the claim is brought within the statutory period?" The only time copied works become noticed is when money and fame is involved. This goes for majority of all copyright infringement suits, people only seem to get involved when someone else is gaining money and/or fame for something that is "not theirs".


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